What's New?
With a nudge from the nice folks at The Atlantic,
I've just started blogging. For those who can't get enough of me in
print, head
on over.
I've resolved to post a couple times a week at least, so you won't find
the sort of cobwebs and mildew you've grown accustomed to around here.
What am I up to lately? I'm working on a book for
Penguin Press about the problem of self-control, and if I could stop
procrastinating I might actually get it done before I'm old enough for
Social Security. I was fortunate to work on this as a public policy
scholar at the Woodrow Wilson International Center in Washington, where
I got to spend four months studying the extent to which
government
can save us from ourselves. I was looking at paternalism for my book,
which arises from an essay (Who's
In Charge?)
in the Wilson Quarterly. The Wilson Center is a joy, as were my
colleagues, and I gained a lot of insight that I hope to put to good
use.
Ever wonder why most Americans look like slobs?
Check out my longish
essay on this very topic; it faults people for outsourcing
the job of looking good to a mercenary elite (known as 'celebrities')
and calls for a democratization of appearances. Each of us can do our
part; I for one promise to shave more often. I've had a couple of
pieces in Slate recently, one on the usefulness of jock straps (it's
a short piece for a reason) and the other on cost-effective ways
to make up for all the fossil fuel you burn. And in the
Boston Globe, I had this moving
account of my own deep spirituality.
Then there's my impossibly erudite essay on the
seemingly collective nature of modern innovation, for the quarterly In
Character,
which devotes its current issue to creativity. Now if I were more
creative, I'd have another novel done by now. I do lots of
other journalism, too, some more recent examples of which
(from
the Wilson Quarterly, the Wall Street Journal and other high-toned
outfits) I've added to the site under Writings.
Meanwhile you can still get a copy of The
Webster Chronicle, my most recent offering. When it came out
The Atlantic Monthly carried a learned and sensitive (read: favorable) review,
and even took the trouble to rehabilitate my previous novel, which the
magazine was virtually alone in disliking. Unfortunately, WebChron, as
we cutting edge types like to call it, hit the stores Sept. 27,
2001--yes, the Day of Atonement, just 16 days after 9/11--from a new
imprint of Penguin Putnam called Blue Hen, a horseracing term for a
progenitor of champions. Penguins and horses apparently being
incompatible, the imprint is now dead, but the novel is still available
at Amazon.com,
where you should rush credit card in hand. And what, you may ask, is
the book about? Well, The Webster Chronicle deals with a bizarre fever
that possesses a small town during a single interminable winter in the
1980s, although it sometimes seems more like the 1680s. Special bonus
for Freudians: an Oedipal subplot on almost every
page!
The book also had a warm reception at Publishers
Weekly, which suddenly elevated St. Burl's Obituary, my previous novel,
to the status of "masterful" (now they tell us!) before calling The
Webster Chronicle "complex" and "thought-provoking," with a "memorable
protagonist" who is "wise, flawed, and all too deeply human." The
Washington Post, in keeping with its reputation for perspicacity, liked
the book too, calling it "shrewd" and "unsettling," and concluding by
saying: "Our finest authors force us to face our own bad intentions;
Daniel Akst is a master at doing so".
The Cleveland Plain Dealer, another
early-reporting
precinct, called the first half of WebChron "a masterpiece of literary
style combined with superb pacing," and the Grand Rapids Press,
invoking Flaubert (I'm not kidding), said: "There are, undoubtedly,
similar witch hunts to come. How important, then, that the Daniel Aksts
of the world tell their cautionary tales to keep us mindful." The San
Francisco Chronicle, which seems to regard the book as a magnificent
failure, observes nonetheless that "quiet insights are sprinkled
throughout, as is Akst's lively prose and flashes of humor, a welcome
relief given the somberness of the subject matter yet a far cry from
the rollicking nature of his debut novel." The Knoxville
paper
got the title slightly wrong, but hey, it's publicity!
Ok, enough about the book. Regular readers of this
page (take a bow, you two) will be pleased to learn that our famously
strange house is still standing. You can read my epic account
of its construction (no, it's not in verse) in Money Magazine, which
published it as a three-part series. For those who want the executive
summary, the place turned out pretty well, and in the
proof-that-there-is-a-God department, not a single episode of homicide,
bankruptcy or divorce is attributable to the project. So far.
Grub Street
The typing continues. My previous book, St. Burl's Obituary can
easily be purchased from Amazon.com.
The book was a PEN/Faulkner
finalist (even though I missed the banquet because my wife went into
labor with our twins), and was well
and widely reviewed, except by the estimable Phoebe Lou Adams
of The Atlantic,
who hated it. The German edition (from Deuticke) seems to be doing
reasonably well, and a Hebrew edition (Prague Press) won prominent and
favorable reviews over there. I was even interviewed by
Ma'ariv!
I also write commentaries and essays for the Wall Street Journal and
others. And I remain a book reviewing fiend. See About the Author for more of
this sort of thing, or check out the fiction, journalism and essays on
my Writings page, where
you'll find samples of my work.
Who's Dan Akst?
If you've read this far, you've probably already
heard more than you want to know, but check out About the Author for all the
dope. There's even a resume,
if you're considering me for Poet Laureate or something.
Contact Info
You can always email me using my last name at
citlink.net, or send something (preferably a check) to my agent:
Sloan Harris
ICM
825 Eighth Ave.
New York, NY 10019
212-556-5665
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